#multi technique animation

[ifthesewings--couldfly]

My Long, Spoilery Review for Inside Out 2

Despite me having decided to wait for Inside Out 2 to drop on Disney Plus before seeing it, the quantity of clips circulating on social media made it absolutely impossible to stay spoiler-free until the next three months or so, and since critique and public alike seemed to really like this movie, I decided I wanted to see the whole thing before I got spoiled for good. I know I probably played the Big Mouse Game by doing so and I’m not happy about it, but from a storytelling standpoint, Inside Out 2 did deserve to be enjoyed as a whole.

‼️ATTENTION SPOILERS AHEAD‼️

The movie is as good as everyone makes it out to be. The new emotions didn’t feel like they came out of nowhere like I initially thought (except for Nostalgia, which I found forced and mildly annoying) and the new concepts, like Riley's Sense of Self, are brilliant. One of my favorite scenes was Joy visiting the place where the Sense of Self is kept along with Sadness. I liked how the topic of Anxiety was handled in a non-clichy way, and how she wasn’t made to be the villain, but in the end, she turned out to care about Riley just as much as Joy and the other emotions did. The only reason why she bottled them up was why she genuinely believed they were getting in her way of helping Riley. The pacing of the movie seems a little fast as first, but the idea of setting it during a three-days hockey camp is the perfect timeframe for the story they wanted to tell: a new situation, but still, not one that could have consequences in the “real world” if you get what I mean. I found it to be the perfect scenario to tell how things that might seem “the end of the world” to us, in the end are not actually that serious. In the end, this isn’t one of those movies that makes you say “I like the sequel better than the original” but rather “this continuation is so natural, it feels like first and second movie are two parts of a whole.” Pixar is building a way more solid franchise than anything Disney has done recently - I consider the two studios two separate entities - and if this level of quality is being kept, I actually wouldn’t mind an Inside Out 3.

Now, for the things I liked less.

The emotions were too “personified” if this makes sense. I didn’t like the fact that emotions can somehow feel emotions themselves (e.g. Anger stating that “He can’t always be angry”, or Joy stating that it’s hard for her to be positive all the time). I didn’t also like the fact that emotions can apparently have feelings for each other. I perceived an unsettling intention of pairing up Riley’s emotions from the creators of this movie. Sadness with Embarrassment, Joy with Anger, heck even Fear with Anxiety (“I can change her”? Really?) I don’t know what the creators were trying to do here. Non-canon ships are fine, they’re the soul of every fandom, but when they’re being fed to you by the creators themselves, it comes off as weird. Disgust simping over Lance Slashblade was a fun gag, but trying to imply the emotions could get together as couples was really not. And speaking of forced things, I feel the inclusion of mixed-technique animation to be somewhat forced and proof that both Disney and Pixar are falling behind in terms of technical innovation. At this point, it’s clear they they are no longer the standard for Western animation.

My rating: ⭐️⭐️⭐️⭐️ out of 5

[zentendo]

Unleash the Cursed Power: JUJUTSU KAISEN CURSED CLASH Drops Explosive Trailer - Nintendo Switch Included

Get ready, Jujutsu High students! Satoru Gojo is bringing the heat with a brand-new trailer for JUJUTSU KAISEN CURSED CLASH, the action-packed 2v2 brawler set in the JUJUTSU KAISEN universe. Dive into the cursed techniques, synergies, and ultimate moves as the game gears up for its grand release on 2nd February 2024. Don’t miss the action – watch Gojo’s trailer now! [Watch the trailer…

[chow0w]

oh i just LOVE your style!!!! if you wouldn't mind, could you explain how you go about designing and what your artistic process is with dragons specifically?? I love your lady jewel design the most!!!!!!

Of course, and thank you so much! @aldershadows also asked this question, and I hope I can give you a comprehensive answer, and will be taking this oppurtunity to create a one-and-done design tutorial to answer any similar questions that may come up in the future.

Bear in mind that I'm not a professional, and I'm not looking to dissuade people from following traditional techniques or other advice. This is purely a discussion of MY process, and what I consider to be good/bad design technique.

Where to Start

There are six important conceptual 'principles' I like to consider when in the initial stages of (Re)designing a character: Story, Personality, Aesthetic, Interpretation, and canon/fanon appearance. Fully understanding these principals can help you understand a character, which will make both your life and design better.

Story: What is this character's actual story? What's their lore? Where do they start, and where do they end up - and most importantly, where does your design fit into that timeline? When I design characters, I try to be clear on exactly what part of their journey they are on. (Ex: blaze and the coat -> sandwing succession war)

Personality: This one is pretty easy - what is your character like, and how do they present themselves to the outside world? When you make a character and show them to the world, everything in the canvas is interpreted by the audience: even down to simple details like posture or background. Treat it like an opportunity to show off as much of your character's personality as you can.

Aesthetic: Aesthetic plays the most important role of all: it's job is to make sure your design is cohesive. It can be a common theme, pattern, color pallet or shape - as long as it reoccurs throughout a design, it's good. Use aesthetics to amplify the other principals, and figure out how to make it *look* nice as a secondary goal.

Interpretation: This one is specific to redesigns, but could also be applied to OCs - I like to consider my personal interpretation of a character: the media I see, the opinion I have... Multi-animator projects, other fanart pieces and personal quirks make up my interpretation of most WoF characters. You don't always need to incorporate your interpretation, but it's good to have in mind.

Canon/Fanon appearances: If you want to design and OC, ignore this. If you're redesigning an existing character, it's useful to consider how your audience views them - for example, most of us collectively agree on a few key design aspects of most characters. That doesn't mean you have to follow those conventions, but keep in mind that they may make your character more or less recognizable. You can also call on the other principles of design to make up for any leap-of-faith redesign choices you make.

Narrow It Down

Now that you're thinking, it's time to narrow those ideas down! Be aware that sometimes, less is more: you might have a ton of cool concepts, but your design will look BAD if you can't stay cohesive. The number of different ideas that can co-exist in one design varies a lot by preference and similarity, so be evaluative when doing this. If you follow my blog, you might notice I tend to walk the line between detailed, cohesive design and overwhelming animator repellent. To combat this, I try to step back often and consider if I've gone too far.

At this stage, it's good to make notes or small sketches - anything to get your ideas down.

Experiment

Test your ideas out with more sketches - alter, add, subtract... whatever your heart desires. Experimentation is the best way to discover your specific design tendencies, as well as breaking new ground and stepping out of your comfort zone. The more you experiment, the quicker you'll improve. This is usually the point where I start testing out different patterns, since those are the main highlight of most of my redesigns. Pertaining to dragons, it's always a good idea to test out different shapes - especially wings, spikes, arms and tails, which are generally the most customizable features of a character. Looking to other artists for advice/inspiration is also a great tactic, but be sure to follow the 80/20 rule of originality within your designs!

Judge yourself (not literally)

Evaluating your designs as you make them is always a great idea, but sometimes you need multiple tests/sketches in order to know what you REALLY want. Compare your experiments - what do you like about them? What do you dislike? Which are more faithful to the character, and which ones confuse you? understanding the flaws in your design can help you to overcome even the biggest challenges.

I've used Kinkajou to show how important evaluation is: despite being my favorite character, she has proved exceedingly hard to redesign (to my satisfaction,) even with multiple attempts from this year and the last. She might not even be released by the time this post airs - but with the power of critical thinking and good evaluation, her design has gradually improved over my last few attempts.

Stay on your toes

Did you think you were done? Did you think it was over? NO. Life doesn't get easier just because you made it past the idea stage. When you have your final thoughts and want to get chugging with your reference page/illustration, make sure to stay alert! Keep evaluating, keep experimenting, and make sure to stay mindful of what you do! One of the more common issues I have is that I turn my brain off while I draw, and then slowly my designs drift further and further away from the idea I actually wanted to put down. Asking yourself questions along the way can help to sharpen your design, and train your mind to think more artistically.

It's always good to take a once-over of your final product: check for errors you might have made, and think about whether or not your design still looks good. Does it show personality? Is it consistent?

If you do find that your end product isn't what you really imagined, don't despair - there are plenty of lazy tricks you (And I) can pull to string things back together again. Using gradient maps is a great way to fix your colors, and simple filters like 'overlay' (procreate) can help to neutralize your pallet. My favorite trick is to use the 'curves' tool (procreate) to make certain colors darker, in the case that I feel my design doesn't use a wide enough range of light and dark shades. I also like to turn saturation down if I think there's a color problem, to see if it's actually my pallet or if I'm using too many colors with the same tone.

Keep Going

My design strategy relies on confidence. You won't be able to improve if you doubt that you can! So, my most important piece of advice is to keep going, no matter how fast or slow you seem to make progress. My second most important piece of advice is not to compare yourself to other artists - focusing on their progress is neglecting your own.

To everyone who made it this far, thank you so much! Posting here truly is an amazing experience and I adore you guys. Sorry if this got a little out of hand. I hope this was helpful to you and anyone else with the same question, as well as being a useful resource to other artists in the future! As always, my askbox is open to any and all questions + requests for redesigns!

( ´ ω ` )ノﾞ

[shukraastro]

National Flag of Future Spouse

analysis only aplicable if cross cultural marriage potential is present in the chart

[Edited version]

For the past few weeks I've been in contact with my biggest Guru who has been showing me knew perspectives and yesterday he showed me something which I never heard of. I had to ask for his approval to share this technique here because it is something which he discovered and applied for so long. Thankfully he wasn't against it because I really believe this is an amazing discovery. If you have the desire or an intuitive feeling that you might get married to someone of a different culture/someone from foreign lands especially if indicators in the birth chart are present but you are wondering where they will come from this is a very good technique which strongly relies on symbolic Astrology.

First look closely to your Venus (for a wife) or Jupiter (for a husband). Look in which Nakshatra your Venus/Jupiter is placed in and the ruling planet of that Nakshatra. The planet that is the ruler of your Venus or Jupiters Nakshatra will tell you about the prominent color of their national flag.

Sun Nakshatras indicate golden/yellow/very bright orange tones.

Moon Nakshatras indicate white (and blue).

Mercury Nakshatras indicates multi-colored theme I have seen this with flags which consist of more than 2~3 colors.

Venus Nakshatras indicates deeper and earthier orange tones like terracotta/copper/brown colors.

Mars Nakshatras indicates red/-ish colors (pink if there are any nations which have pink on their flag).

Jupiter Nakshatras indicates green colors.

Saturn Nakshatras indicates greys and black.

Rahu Nakshatras actually indicates blue because it represents the sky and it also can represent rare colors such as purples and pinks.

Ketu Nakshatras indicates black and dark browns.

Mind you these color indicators are speficically for the flags. This has nothing to do with skin/hair colors, that is a completely different topic and works different. This here is only applicable for flag analysis.

Next look also at the Nakshatra of your 7th lord and Darakaraka planet. Here again you need to look at the ruling planet of that Nakshatra, this will give you much further hints about any type of elements on their national flag, such as symbolizms/motives. For example if the 7th lord planet is placed in a Nakshatra which is ruled by the Sun for example like Uttara Ashadha, there could be a literal Sun symbol on the flag. For the Moon as the Nakshatra lord it would be a Moon symbol on the flag. For Venus as the Nakshatra lord it would be a star symbol on the flag. For Mercury as the Nakshatra lord it would be geometrical shapes, duality motives or even many little details/patterns. For Mars as the Nakshatra lord there could be swords or blades depicted on the flag. For Jupiter as the Nakshatra lord it would be any nature related symbols like trees/leaves/animals. For Saturn ruled Nakshatras it would be any traditional symbols/motifs/scriptures. For Rahu ruled Nakshatras it would be mystical/unconventional symbols or even mystical creatures. For Ketu ruled Nakshatras it would be any type of religious/holy symbols or scriptures. Here you need to be careful if there are any exact overpowering conjuctions of Rahu/Ketu with the 7th lord/Darakaraka planet, because these two can strongly influence the symbolisms/depictions on the flag and create an entire different twist to it. But only as long as it's an exact conjunction, means 0~1 degrees.

But like I already said, this is only for the case if a foreign spouse is indicated in the chart or if it is a usual thing in a persons family dynamic to marry outside the own culture. If not, this technique will not work, it won't give any useful results.

⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

I know this post was very cut short and not as aesthetically created as my usual posts but I will edit all of that later on. I just wanted to share it with you guys as soon as I got the approval. I will edit it later on.

Hopefully I could explain it well and this technique can help many of you further.

Have a good day. 🪐

[bestanimal]

Round 3 - Mammalia - Primates

(Sources - 1, 2, 3, 4)

Our next and last group of Euarchonta is the order Primates. This diverse order includes the families Cheirogaleidae (“mouse lemurs”), Daubentoniidae (“Aye-aye”), Indriidae (“indriid lemurs”), Lemuridae (“lemurid lemurs”), Lepilemuridae (“sportive lemurs”), Galagidae (“galagos” or “bush babies”), Lorisidae (“lorises”, “pottos”, and “angwantibos”), Cercopithecidae (“old world monkeys”), Hylobatidae (“gibbons”), Hominidae (“great apes”), Callitrichidae (“marmosets” and “tamarins”), Cebidae (“capuchins” and “squirrel monkeys”), Aotidae (“night/owl monkeys”), Pitheciidae (“titis”, “saki monkeys”, and “uakaris”), Atelidae (“spider monkeys”, “howler monkeys”, and “woolly monkeys”) and Tarsiidae (“tarsiers”).

Many primate characteristics represent adaptations to an arboreal environment, including large brain sizes, binocular vision, color vision, vocalizations, shoulder girdles allowing a large degree of movement in the upper limbs, and opposable thumbs (in most but not all) that enable better grasping and dexterity. Their large brains (relative to body size) compared to other mammals, as well as an increased reliance on visual acuity, has been an evolutionary trade-off at the expense of their sense of smell (the dominant sensory system of most mammals). Most primates are arboreal, but some primates, including gorillas, humans, and baboons, are primarily ground-dwelling, though all species retain adaptations for climbing trees. Arboreal locomotion techniques include leaping from tree to tree or swinging between branches of trees (brachiation); terrestrial locomotion techniques include walking on two hindlimbs (bipedalism) or modified walking on four limbs (quadrupedalism) via knuckle-walking. They are the most cognitively advanced animals, capable of using tools. Primates may communicate using facial and hand gestures, smells, and vocalizations, with humans (genus Homo) creating complex languages and sophisticated civilizations.

Primates are among the most social of all animals, forming pairs or family groups, uni-male harems, and multi-male/multi-female groups. Primates have slower rates of development than other similarly sized mammals, reach maturity later, and have longer lifespans. Females give birth to 1-2 young at a time. In some species, male primates take part in raising young, an oddity for mammals.

Primates arose in the Early Paleocene, about 65.9 million years ago. The earliest possible primate/proto-primate may be Purgatorius, which dates back to the Early Paleocene of North America. The oldest known true primates from the fossil record date to the Late Paleocene of Africa, around 57 mya (Altiatlasius) or the Paleocene-Eocene transition in the northern continents, around 55 mya (Cantius, Donrussellia, Altanius, Plesiadapisand, Teilhardina). The suborder Strepsirrhini, which includes the lemurs, lorisids, and galagos, is generally thought to have split off from the primitive primate line about 63 mya, and evolved independently from monkeys.

Propaganda under the cut:

The smallest primate in the world is the critically endangered Madame Berthe's Mouse Lemur (Microcebus berthae), with an average body length of 9.2 cm (3.6 in) and seasonal weight around 30 g (1.1 oz).

One of the largest primates in the world is the critically endangered Eastern Gorilla (Gorilla beringei) (image 4). Males are much larger than females. A full-grown male Eastern Gorilla typically weighs 140–205.5 kg (309–453 lb) and stands 1.7 m (5.6 ft) upright and a female typically weighs 90–100 kg (200–220 lb) and stands 1.5 m (4.9 ft) tall. Some Humans (Homo sapiens) have surpassed this size, but it is not the average for Humans, for which the average adult male stands about 171 cm (5.7 ft) tall and weighs 77 kg (170 lb), while the average height for adult Human females is about 159 cm (5.3 ft) and average weight is 59 kg (130 lb).

All lemurs (superfamily Lemuroidea) are native only to the African island of Madagascar, and evolved independently from other primates on the island. The International Union for Conservation of Nature (IUCN) considers lemurs to be the world's most endangered group of mammals, noting that as of 2013 up to 90% of all lemur species face the threat of extinction in the wild within the next 20 to 25 years.

As many lemurs eat nectar as a part of their diet, and catch pollen in their fur in the process, they are considered to be some of the largest pollinators in the world. The endangered Hairy-eared Dwarf Lemur (Allocebus trichotis) has an extraordinarily long tongue. This is thought to be an adaptation for drinking nectar and tree sap. The vulnerable Red-bellied Lemur (Eulemur rubriventer) has a feathered tongue, also a likely adaptation for feeding on nectar.

The Golden Bamboo Lemur (Hapalemur aureus) eats Giant Bamboo (Cathariostachys madagascariensis), which contains high levels of cyanide. The Golden Bamboo Lemur can consume twelve times the typically lethal dose of cyanide for most mammals on a daily basis. The physiological mechanisms that protect it from cyanide poisoning are unknown.

The Aye-aye (Daubentonia madagascariensis) has evolved some insect and seed-eating traits that are unique among primates, making it stand out among the lemurs. Such traits include continuously growing rodent-like front teeth for gnawing through wood and hard seeds, a highly mobile filiform middle finger for extracting food from tiny holes, large bat-like ears for detecting hollow spaces within trees, and use of self-generated acoustical cues to forage.

Many lemur species, including the Ring-tailed Lemur (Lemur catta), Milne-Edwards' Sifaka (Propithecus edwardsi), and the Verreaux's Sifaka (Propithecus verreauxi), live in groups led by a dominant female. Lemurs are one of the very few mammal groups where females are usually dominant over males.

Some lemurs, such as the Verreaux's Sifaka, live in the spiny forests of Southern Madagascar. Sifakas travel via leaping rapidly from tree trunk to tree trunk, an ability referred to as "ricochetal leaping". It is unknown how the Verreaux's Sifaka manages to do this characteristic leaping without impaling themselves on the long thorns of the spiny forests’ trees.

The extinct Giant Sloth Lemur, Archaeoindris fontoynontii, was comparable to a gorilla in size. It was rare, but still living when humans first arrived on Madagascar. Its large size and terrestrial habits would have made it vulnerable to hunting and habitat loss.

It was previously thought that all lorisids moved slowly, but this is not the case. Lorisids freeze in place as a defense tactic, or move slowly if they see or hear a potential predator. This only works in their leafy environment, and is a form of camouflage. Many lorisids are actually quite agile when not afraid.

Slow Lorises (genus Nycticebus) (image 3) from southeast Asia produce a secretion from their brachial gland, that is licked and mixed with their saliva to form a toxin which can be used for defense. This toxic bite is a rare trait among mammals, and unique among primates. The Slender Lorises (genus Loris) from Sri Lanka and South India also possess these brachial glands, but it is uncertain whether they also synthesize the toxin.

The Gelada (Theropithecus gelada) has a diverse repertoire of vocalizations thought to be almost as complex as that of humans.

The Allen's Swamp Monkey (Allenopithecus nigroviridis) has adaptations for a partially aquatic environment, including slight webbing of its fingers and toes.

The Common Patas Monkey (Erythrocebus patas) is the fastest runner among the primates, reaching speeds of 55 km/h (34 mph). For reference the fastest human, Usain Bolt, reached 37.58 km/h (23.35 mph) during his world record sprint.

The terrestrial guenons (genus Allochrocebus) live in fairly small groups dominated by females, with only a single adult male. The females are usually related, while the male stays only a couple of weeks or at most a couple of years, working as a watchdog and breeder.

Around dawn and dusk, dominant male Campbell's Mona Monkeys (Cercopithecus campbelli) will climb up to a perch and issue a series of booming calls. The sound carries for at least a kilometre, and other males join in. Campbell's Mona Monkeys often associate with monkeys of other species and engage in inter-species territorial calling which obey certain ritual rules. This is one of the more advanced forms of animal communication, with a rudimentary syntax.

Male Crested Mona Monkeys (Cercopithecus pogonias) will sometimes join groups of unrelated monkey, such as the Black Colobus (Colobus satanas). These otherwise solitary males can form strong group bonds with the non conspecific monkeys, possibly resulting in a permanent loss of mating opportunities.

The Northern Plains Gray Langur (Semnopithecus entellus) has a symbiotic relationship with the Chital (Axis axis), and the two species are rarely found apart. Both the langur and the deer know each other’s warning calls, and benefit from both groups watching for predators in the trees and on the ground.

Nearly all (73–100%) captive Rhesus Macaques (Macaca mulatta) are carriers of the herpes B virus. This virus is harmless to macaques, but infections of humans, while rare, are potentially fatal

The endangered Crab-eating Macaque (Macaca fascicularis) is the only old world monkey known to use stone tools in their daily foraging, and they engage in robbing and bartering behavior in some tourist locations.

Dusky Leaf Monkeys (Trachypithecus obscurus), Crab-eating Macaques, and White-thighed Surilis (Presbytis siamensis), form tolerant foraging parties, with juveniles playing together.

The critically endangered Celebes Crested Macaque (Macaca nigra) unknowingly found itself at the center of controversy between 2011 and 2018, when British wildlife photographer David J. Slater set up equipment that would allow the macaques to take “selfies.” People for the Ethical Treatment of Animals (PETA) argued that Slater could not hold a copyright claim over the “monkey selfie” that resulted, as it had been taken by a macaque and not him. This resulted in the United States Copyright Office stating that works created by a non-human, such as a photograph taken by a monkey, are not copyrightable. Slater lost income and took a blow to his reputation as a wildlife photographer as a result of the dispute. In a separate dispute, PETA tried to use the monkey selfies to establish a legal precedent that animals should be declared copyright holders, requesting that the copyright be assigned to the macaque, who they decided was named “Naruto”, and that PETA be appointed to administer proceeds from the photos for the endangered species' benefit. In dismissing PETA's case, a federal district court ruled that a monkey cannot own copyright under US law. PETA appealed. In September 2017, PETA and Slater agreed to a settlement in which Slater would donate a portion of future revenues on the photographs to wildlife organizations, but the court did not accept the settlement. In April 2018, the appeals court ruled against PETA, stating in its judgement that animals cannot legally hold copyrights and expressing concern that PETA's motivations had been to promote their own interests rather than to protect the legal rights of the monkeys. The ordeal left Slater with very little funding, and he lost his motivation and passion for photography. However, he was still glad for the impact the photos had on people, stating "It has taken six years for my original intention to come true which was to highlight the plight of the monkeys and bring it to the world. No one had heard of these monkeys six years ago, they were down to the last thousands. ... The locals used to roast them, but now they love them, they call it the 'selfie monkey'. Tourists are now visiting and people see there is a longer-term benefit to the community than just shooting a monkey."

In Ancient Egyptian mythology, Babi was the deification of the Hamadryas Baboon (Papio hamadryas) and was therefore a sacred animal. They were known as attendants of Thoth, and are thus also called the Sacred Baboon.

Critically endangered Red-shanked Doucs (Pygathrix nemaeus) eat peacefully with each other, and have been known to share their food with others. They may even break pieces of foliage off and hand them to each other, a type of active generosity that is rare among Old World monkeys.

Humans, Baboons, Bonobos (Pan paniscus), and Chimpanzees (Pan troglodytes) are omnivorous hunters, and will set off on hunting parties, sometimes bringing down smaller monkey species.

Both Chimpanzees and Humans are known to wage wars over territories and resources.

Orangutans build nests for both day and night use. Nests may be elaborate and involve a foundation and mattress made by intertwining leaves and branches and adding broken leafy branches. Additional features such as shade, a waterproof roof, "pillow", and "blanket", all of which are made from branches, twigs and leaves, may also be added.

Critically endangered Bornean Orangutans (Pongo pygmaeus) have been observed using tools such as using leaves as toilet paper, a pad of leaves as a plate for holding spiny durian fruit, a leafy branch for a bee swatter, a bunch of leafy branches held together as an "umbrella" while traveling in the rain, a single stick as a backscratcher, a branch or tree trunk as a missile, and have even been sighted using spears to attempt (unsuccessfully) to catch fish.

The critically endangered Sumatran Orangutan (Pongo abelii) has been observed using a different arsenal of tools. One may break off a tree branch that is about a foot long, snap off the twigs and fray one end with its teeth. The orangutan will then use the stick to dig in tree holes for termites. They will also use the stick to poke a bee's nest wall, move it around and catch the honey. In addition, orangutans use tools to eat fruit. When the fruit of the Neesia tree ripens, its hard, ridged husk softens until it falls open. Inside are seeds that the orangutans enjoy eating, but they are surrounded by fiberglass-like hairs that are painful if eaten. A Neesia-eating orangutan will select a five-inch stick, strip off its bark, and then carefully collect the hairs with it. Once the fruit is safe, the ape will eat the seeds using the stick or its fingers. Tools are created differently for different uses. Sticks are often made longer or shorter depending on whether they will be used for insects or fruits. If a particular tool proves useful, the orangutan will often save it. Over time, they can collect entire "toolboxes".

Endangered Bonobos (Pan paniscus) are capable of altruism, compassion, empathy, kindness, patience, and sensitivity. They are known for living in matriarchal societies, having more fluid sexuality, and settling disputes with sex rather than violence.

In a study published in February 2025, scientists determined that Bonobos could tell when a Human didn't know something, and point them in the right direction.

The endangered Siamang (Symphalangus syndactylus) has a large gular sac (throat pouch) that can be inflated to the size of the gibbon’s head, allowing it to make resonating calls. Mated pairs produce loud, well-patterned calling bouts, which are referred to as duetting. These calls advertise the presence and status of a mated pair. Newly formed pairs spend more time singing than an established pair.

The critically endangered Hainan Black-crested Gibbon (Nomascus hainanus) is one of the most endangered animals in the world. The most recent count found 22 Hainan Gibbons split between two families, one family of 11 and one of 7 members, with 4 loners, all residing in Bawangling National Nature Reserve on Hainan Island. Over 25% of the Hainan Gibbon’s habitat has been reduced due to illegal pulp paper plantation growers. As there are no Hainan Gibbons in captivity, the entire population could be one major storm or epidemic away from extinction.

Tarsiers are the only entirely carnivorous living primates.

Philippine Tarsiers (Carlito syrichta) are capable of hearing frequencies as high as 91 kHz. They are also capable of vocalizations with a dominant frequency of 70 kHz.

Unlike other male primates, male Callitrichids generally provide as much parental care as females. Parental duties may include carrying, protecting, feeding, comforting, and even engaging in play behavior with the babies in a group. In some cases, such as in the Cotton-top Tamarin (Saguinus oedipus), males, particularly fathers, even show a greater involvement in caregiving than females.

White-fronted Capuchins (genus Cebus) have been observed using leaves as a cup to drink water.

Female Squirrel Monkeys (genus Saimiri) have pseudo-penises, which they use to display dominance over smaller monkeys.

White-faced Sakis (Pithecia pithecia) often mate for life, and are very devoted to their partners, strengthening their bond by grooming each other.

Atelid monkeys are most famous for their long, extremely prehensile tails. Their tails have sensitive, almost hairless, tactile pads on their undersides, and can function as a “fifth limb” while moving through the trees.

About 60% of primate species are threatened with extinction. Common threats include deforestation, forest fragmentation, monkey drives, and hunting for use in medicines, as pets, and for food. Large-scale tropical forest clearing for agriculture most threatens primates, as well as farming for palm oil.

[innerfare]

Sabo Fluff // Angst Compilation

Summary: A compilation of Sabo angst and fluff from my multi character posts (You're Wounded, Brushing Your Teeth Together, Flowers, Type of Date, You See His Cabin, Fighting and Making Up, Paradise, Nightmares, I Love You, You're Jealous).

Genre: Fluff // Angst

CW: None // SFW

———

You’re Wounded: 

Makes a light joke, inspects the wound himself even if there’s a doctor present, will help bandage you up if you need it. Pretends to be nonchalant about the entire thing, is panicking inside. Fully realizes the depths of his affection for you, is terrified to realize it’s love.  

Brushing Your Teeth Together: 

He didn’t get his pearly white smile by slacking off. When you’re brushing your teeth together, he’ll pause to inform you he’s better at it than you, that he has the best technique, that his dentist always compliments his teeth. Doesn’t explicitly challenge you like Nami and Luffy, but can’t help but get competitive. 

Flowers: 

He’s gone for very long periods of time, so when he returns, he’ll bring you a bundle of peonies or calla lilies, but he also bought you a cherry blossom bonsai tree so you can have flowers even when he’s away. The bonsai tree ends up becoming his baby, and when he is home, he spends quite a bit of time tending to it, to the point you get a little jealous. But it brings you lots of comfort when he’s away, a symbol of your love that’s firmly rooted and eternal. Side note, he will most definitely use flowers to seduce you. 

Type of Date: 

Takes you to the aquarium or zoo, the two of you wandering around hand in hand, pointing at different animals and saying, "that's you." Also takes you on a lot of picnics (far less elaborate than the ones Sanji plans) that you spend either in silence or editing his manuscript. And he knows the lay of the land in terms of hole in the wall restaurants, quiet little nooks where you can cozy up to one another and not be disturbed. Will occasionally risk it all to take you to water parks despite being a wanted man.  

You See His Cabin For The First Time: 

His bedroom at the Revolutionary Army’s base is a total bachelor pad, and when you see it for the first time, it wasn’t planned, so he’s a little embarrassed by the state of it. He has some dirty dishes he forgot about, some dirty laundry on the floor, and a pile of books on his bed. He spends virtually no time there and probably wouldn’t even have furniture beyond a mattress on the floor if it wasn’t provided by the Revolutionary Army as part of his living quarters. That being said, he did pin Luffy’s and Ace’s wanted posters to his wall, and he has a couple of different lotions and skincare products on his bathroom counter. 

Fighting and Making Up: 

Sabo can be pretty hypocritical. He takes so many risks and claims he wants a partner who can keep up with him, but if you take risks without him to back you up (the way he constantly takes risks without you backing him up), he’ll get mad at you because it triggers him so deeply; he has nightmares about you dying, but he normally hides them from you. It usually devolves further when you accuse him of not living by the egalitarian ideals he espouses by trying to control you. Other times, you fight because he was shamelessly flirting with someone else (flirting is an instinct for Sabo and he's so naturally charming that sometimes he really just can't help it). But you two have a special spot (a pink peach tree on Momoiro Island) and whoever is ready to make up first goes there and waits for the other; he once waited two full days and nights for you. When you get there, he’ll offer you a pink peach and a sheepish grin. 

Paradise 1: 

Wandering through a flower field and picking some of the more beautiful blooms that catch your eye, sprawling out on a picnic blanket in the late morning to bask in the sweet scent, enjoying the breeze as it ruffles your hair, weaving some of the flowers you picked into a delicate crown that they wear proudly while the two of you share sweet kisses. 

Paradise 2: 

Meandering through the woods in search of the tallest, most impressive tree, him giving you a boost up to the first branch to get you started before climbing up himself, staying behind you the entire time so he can catch you in case you fall. Finally piercing the canopy and poking your heads up above the forest, his hand on your leg to keep you steady, the two of you grinning as birds fly by, basking in the afternoon sun. 

Paradise 3: 

Escaping the chaos of life and climbing a desolate hill, sharing a late afternoon snack as you stare up at the clouds and point out different shapes, saying, “that’s you,” when you see a funny one. Arguing over which one of you gets to be the dragon cloud, your argument turning into roughhousing and the two of you accidentally rolling down the hill, him laughing and kissing your cheek when he knows you’re okay and then starting the argument again. 

Paradise 4: 

Waiting until late evening to meet beneath a peach tree, speaking at first in hushed tones, worrying someone is on to the two of you, eventually forgetting about all of that and settling into easy conversation about nothing and everything simultaneously, him jumping up to pick a peach for you to have as an evening snack, you taking advantage of the last bit of light to carve both of your initials into the tree trunk. 

Nightmares: 

You’re on stage in an auction house being sold off to the highest bidder. He’s there, but he can’t get to the stage, as if he’s trapped behind invisible glass. He’s screaming his head off and throwing himself at the glass, but everyone just ignores him, the slave auction continuing as though he’s not even there, Sabo completely powerless against the injustice of it all. You’re crying and struggling in your shackles, but it’s no use. He wakes up thrashing, ready to fight anyone who stands between him and you. When he’s met only with darkness, he doesn’t relax but instead gets dressed and wanders off to find some work to do, the sound of your shackles clanking as you struggle against them stuck in his head like a sick song, the sight of Celestial Dragons bidding on you like an object lighting in him a fire that will burn down every auction house in the world. 

Wearing His Hat: 

You and Sabo were supposed to be sparring, but he wasn’t taking it seriously. You could tell by the way he kept looking over your shoulder, the way he pawed at you instead of striking when you gave him an opening. You considered complaining, but you knew better than to nag a man like Sabo. He would just ignore you like he did everyone else who tried to get on his case about something, the Army’s Chief of Staff being an expert at tuning out voices. 

So, you decided to get creative. 

The next time his eyes left your person, you swooped in. His arms went up to block you, more out of habit than anything else, but you didn’t strike him the way you normally did. Rather, you snatched his hat off his head with a victorious laugh. 

“Hey!” His eyes widened, and suddenly, his full attention was on you. “That’s mine.” 

“Is it?” You placed his hat atop your head with a mischievous smile. “If you want it back, come and get it.” 

Sabo’s expression lit up as you issued your challenge, and as he positioned himself back in his fighting form, you had to wonder if you would regret riling up the Chief of Staff.  

I Love You: 

Sabo is always taking risks. He lives a dangerous lifestyle as the Chief of Staff of the Revolutionary Army, and on top of being one of the most wanted criminals in the world, he is an incredibly reckless individual who thrives when his life his threatened. He does not, however, thrive when your life is threatened. So accustomed to being the one others are fretting over, so used to Koala telling him off for taking this risk or making that dumb decision, he is completely blindsided by the anxiety he experiences when he finds out you’ve been captured. Naturally he launches a rescue attempt, and when it succeeds, he wraps you in his arms and tells you how much he loves you. He always makes sure to say it after that, telling you in the morning when you wake up and at night when you go to bed together, the memory of not having you there to hear it all too fresh. 

You’re Jealous: 

Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[pickypickypeak]

So I FINALLY got the art of wish book which is so so good and? I’m honestly a little surprised that the only things that got leaked online were the starboy and evil amaya concepts when it’s literally filled with gems? Here’s a few but first let me tell you, the art alone makes it worth it. It’s amazing

THE HAMLET! LET ME TELL YOU ABOUT THE HAMLET!! Apparently in an early draft Asha and her community had left Rosas and started living hidden in the forest so their wishes could be safe from Magnifico. This hidden place was called “The Hamlet” and it still exists in the final movie, though it’s just a part of Rosas and doesn’t have the original lore. I really hope this trope gets reused for a future Disney movie because it’s a really cool concept!

Live action Valentino??

Some Sakina dump because I love her (also meet Tomás)

Oh and you know the wishing tree in the movie? It’s based on Walt Disney’s own actual wishing tree?? Wtf???

Also there’s a whole 2 pages about Dahlia explaining how much effort and care were put into her creation as a character with a disability. They actually had consultants making sure that ANY form of representation felt authentic and positive. They did not just made the cast multi-ethnic, they actually did their research so that any culture was well portrayed, all the way to the littlest details like textures on their clothing or even each character’s way of greeting.

And about the animation not being fully 2D… Haters conveniently forget mentioning that the movie is expressly made to celebrate both the past AND future of WDAS. Then like it or not, but you can’t possibly celebrate all of Disney without CGI animation. CGI is also Disney. Tangled and Frozen and Moana became instant Disney classics. I would die for a traditional animated movie, but when you put it this way, it makes perfect sense to me that they went with hybrid style for this movie specifically. It just feels right.

Also going through these pages… you just feel the love the producers and animators put in every single reference to older classics. Animation techniques were literally inspired by actual frames from Snow White, Pinocchio, Fantasia, Cinderella, Sleeping Beauty and Peter Pan. So were coloring techniques, lighting, cinematography… There was a breathing effort of paying homages to these movies with tremendous talent in them, while also creating something new. So hate on this movie as much as you want, but mind you calling it “AI-made”. It’s not. It’s made by humans.

Oh, and finally, Starboy. Well, yeah, I fell for it. People literally made it all up. There’s zero indication that he was gonna be Asha’s love interest, let alone be the one singing At All Costs instead of Magnifico. From what the book says (there’s literally two short paragraphs about him, before Star comes in) I think they didn’t even have a plot then, they were just exploring ideas and made some brainstorming sketches deciding how Star could have been. Same with evil Amaya! That one pic that leaked of her with Magnifico is all we got. There’s no indication that it was gonna be “a better movie” because there is no plot for that lol

[lawomi]

S-Leopard or... Leo! He only ever emotes to Bepo for some time lol.

OC Omi is She/Any nonbinary

🔞 Bluesky 💃

S-Leopard or S-Seal headcanons/speculation because fun or something-- under cut

So, I'm highly doubting this seraphim exists for various reasons. Two being:

1) Law was not part of the first 7 warlords

2) The Op Op Fruit would be god damn op

3 (edit): lmao the recent anime episode reminded me they were shown all 7 seraphim pods. However, this *is* a special case, so who freaking knows.

Leo is likely not the first of the S-Leopard model to exist thanks to the ability to grant immortality. One work around I assume is maybe the seraphim can be "repaired"?

Hence...

Since these seraphim may have been multi-produced to give people immortality, they may not have been given the whole hyper-aging or gigantification the other seraphim experience.

While he obviously takes most after Law, he also has some traits of King as the other seraphim do.

Leo has...

Incredible strength & training

The ability to memorize entire books within seconds to minutes.

Adaptability to new techniques or battle styles.

A smaller replica of Kikoku

A love for soft & cute animals (resulting in Bepo being his "favorite" parent but mom's a close second since she's a mink too.)

A serious personality + is impulsive and short tempered

A love for knowledge / Medical knowledge

Law's core beliefs such as not directly killing people unnecessarily

Some of Law's core memories (although vague) of the Donquixote family.

A similar taste pallet and dress preference to Law (and King)

I like to think since seraphim are cyborgs they have humanity. Leo tends to gather his morals the more he reads about things like psychology, social studies, history, ext as well as the Heart Pirates' influences.

[cerastes]

Ok, sorry if this is annoying, but seriously how the hell do I get good at parrying? I am going through your Elden Ring Greataxe Grandma VODs and you make parrying everyone and their dog look so easy. Then my gf informed me that you, in fact, did an entire playthrough of barehanded parries in between equipping and unequipping your weapon in DS3 apparently. Is there a secret to it?

See, parrying is something that's been elevated to this god gamers-only territory because it's a high risk high reward technique, but the thing with it is, the vast majority of people misunderstand the nature of what parrying is.

Parrying is not a test of your reflexes, parrying is a knowledge check.

The best way to get good parries in is to learn the enemy attack patterns and exploit their easiest to parry attacks for free huge damage. If you're going through my VODs, you'll see I parry the tar out of Crucible Knights over and over. That's because Crucible Knights have several multi-hit combos and long, winded up superpoised attacks.

With the wind up attacks, you simply time your parry, easy, but what about everything else? Well, a way to get used to the technique and the tempo required for it is to let the enemy start a combo, and parry the 2nd or 3rd hit, not the first. The Sword Crucible Knight, for example, is fond of doing three hit combos when you are close. Block the first hit, and then aim to parry the second hit: This is easy practice because the second hit of their combo is always a sword swipe in the opposite direction, so you know the timing is guaranteed to always be the same no matter what. You get that timing down, and you're in business. Parrying the Sword Crucible Knight like this is the exact same as parrying a Silver Knight in Dark Souls 1; check out this short video I made 6 years ago. And this method works for anything with stable 2 hit+ combos that have a first hit that doesn't stagger you on block.

This helps you, crucially, to learn the parry timing in and of itself -- different parries have different frames -- and once you have a good handle of your preferred parry tool's start up frames, you now can parry anything you correctly call out. Trying to parry single fast hits is riskier than heavier, slower singles or multi-hits that don't stagger you, but you eventually start catching the starting motions of an animation, and you think "ok, this one, I can hit it right here" and you end up parrying that too.

It takes practice and knowledge of what you are fighting, but after spending some time labbing it out, it becomes Yet Another Useful Combat Tool, grounded in reality and not this thing only a god gamer can pull off after 1000 hours of game time. Try it out!

[fafameow]

Sorry to come out of nowhere but I just wanted to say that your art is so warm and so colorful and so ROUND in all the best ways and your style really captures my favorite things about Kirby! I've always found it really inspirational!

Also, I love the way your line art looks?! I have to ask (you don't have to answer though) is there a specific brush or technique you use to get that soft, multi-layered effect?

Either way, wishing you a wonderful day!

Thank you so much for your nice message, it means a lot!! I've been wanting to make a small tutorial about how I make my Kirby art, so I guess your question came right on time hehe ^^ As I'll be explaining all of my process, I'll also answer your question about my line art! Btw my art program is Paint Tool SAI and I'll also be showing the brushes I use as well as their settings (i made up most of them a long time tho).

So first here's the brush that I use for basically anything, whether sketch or lineart!

It took me a while to understand what you meant by multi-layered effect, but no the brush doesn't do that, that's actually my way of doing "lineart" (ig it's not really lineart cus I just do sketches that I clean later on).

I then clean up everything, add the details and block by using a grey color.

Afterwards I add the flat colors! I already have my own made up color palette, but otherwise I always use a purple color as overlay.

And I also use that same shade to color the lineart!

Next comes the fun part, shading! Here's THE brush that gives that soft effect to all of my drawings ^^ It's the same setting as my eraser too!

And yeah I also shade with light purple lol

There's also some other brushes that I use for more effects, like the airbrush! (I don't think I've touched the settings that much) I mostly use this one for lighting effects.

And finally the water brush! I sometimes use it for blending or for quick backgrounds,

but you can also see that when put it to "Spread" it also becomes the one that I use for my blushes hehe

Aaand I believe that's all of the brushes I use for my art! I do have more, but I only use those for other specific stuff like animation or pixel art.

Adding some details AND VOILÀ!!

Now you know how I make my Kirby art! (but this also applies for all of my art) I sometimes redraw on the contours to give that "pop up effect" a bit like what they did in rtdldx lol ^^

I really hope it was easy for everyone to understand cus this is my first time making a tutorial! And to Desultory Novice, I hope I managed to answer your question too!!

Thanks again and have a great day :D

[rin-and-jade]

A Cup, and A Thread: A Post About System Communication

Hey, you know classic string telephone? The one made with two plastic cups and a piece of yarn, i suppose you recognize that old-school science toy? It's one of the simplest inventions that showcases how messages are sent from one place to another!

This little invention is very fitting to explain how inner communication works, so i hope today's theme of analogy will help you understand all of my messages im about to share, with a twist of a fiber.

There's a lot of things i want to address on this topic, thanks to all my 8 great friends who had helped me gather a variety of insights on what seems to be the problem, i have the answers right here that will be shared to the community, because of them!

You know what communication is?

I sure do, but let's both revise on what it means, according to Merriam-Webster, it's defined as..

"a process by which information is exchanged between individuals through a common system of symbols, signs, or behavior."

It also means "a technique for expressing ideas effectively."

..Alright, we should be in the same page now, but, do we actually know what counts as 'good' communication in system context? After some examination from the given data, it was a resounding "No." This can also mean many may not have a clear idea on it, which will also be addressed.

Okay, tell me please?

Before i do tell, remember that communication is diverse, with no perfect or right way to do so. Just like animals, where different species use unique methods to pull it off, means can systems have their own unique styles too.

There are a few examples we see in animals; like how some use pheromones to talk to its own kind, while some read off from their signature body languages, and some use tones or cues that is meant to be recognized specifically, to each their own meanings.

So, good communication means ensuring that everyone in the system can understand and receive messages effectively which eases functioning and cooperation, regardless of how frequent or indirect the communication may be.

For us, systems have unique internal methods of communication that are based on how our brains function, not having any unique features in animals. These methods are very personal, so find what works best for you.

Here are the common styles so far:

Verbal: Where you talk aloud, or in a media like notes.

Abstract vibes: Where you speak no words, which encompasses feelings, or concepts, or ideas, that can be "felt" instead of heard or seen.

Images: Where the share of messages are conveyed through memories, expressive actions or symbols that are projected in the mind.

Direct thoughts: Where an internal dialogue is present, parts communicate using this inner voice, that can vary in different accents and intonations.

The media represents a lot of the stereotypical kind, direct thoughts, while the rest are less recognized. These four kinds are not limited to, but are the ones often represented, they are equally as important and real.

It's important to note that alters within a system can have different communication styles, or the collective may share the same style. You can't force yourself to use a particular kind, so focus on practicing and mastering your style.

..But there's many problems!

Which is why it's a good idea to educate yourself and find proper solutions in order to resolve them. I know some of them at best, as there might be issues i have not heard of, though will still be shared.

Consider a clear communication between two alters with an example of both cups, connected to the string with no obstructive noise at the background while exchanging messages, one conveys the content clearly, and the other hears and received with maximum clarity/understanding. This will be our main example that will be used to compare with the problems that usually arise in this topic.

The problem with multi-talking

Now, to explain interruptions from another part would be like having an extra string-attached cup tied to the middle of the initial cup, now with two inputs and one receiver, the messages will overlap each other and become obscured.

This can be resolved by being aware, then slowing down when talking and take turns between each other to avoid clashes which can easily overwhelm or confuse the receiver, or even the sender itself since losing track of thought or words can happen.

The problem with worser performance from stress

When stress happens, this can sometimes mess up your state to receive messages, imagine that outwards stressors had pulled and tugged your thread, now a bit twisted out and weak, which still can be used to communicate and hear, but now in a weaker clarity.

Because parts communicate mostly from internal ways, our brain networks are responsible to allow when activities inside (that doesn't necessarily involve system things) can happen. Just like how imagination runs in a mind that's wandering off, stress alerts you instead, snapping off from any safe or calm activities until the 'threat' is resolved.

You can gain temporary clarity by calming yourself down and bring all your focus to send your messages if any responds, if it doesn't happen, it would be best to wait it out until you naturally feel at ease once more, or solve the issue at hand and try again afterwards.

This may not work when you are in a fight or flight response, if you do got cutted off and need to contact anyone from inside, try using strong triggers to probe a response.

The problem with ineffective communication

It is like talking to a part who uses a rubber strand instead of cotton string as its mediator. Threads can conduct finer vibrations that can preserve the original verbal message, while rubber can represent for those who use vibes, as they're more broad and less specific. So if they attempt to talk to you with rubber, you might not receive it's message well,

This can be solved with having another part that are flexible or able to decipher, or find the middle ground where both can exchange better. (e.g. texts)

The problem of talking outside your subgroup

This is where it gets tricky, because there is a notable difference in communication where it's easier to converse inside your group while it's harder to converse outside of your group. What i mean by group is they are the people you meet and talk the most and have easy time communicating.

Imagine that the same group has the same length of the thread, the shorter, the better it retains or transfers message with no effort. Talking outside of your group would require you an extra pair of string telephone, but this time the thread is long as you're talking to another neighboring group, who isn't directly related with you.

Suggestions varies from trying different medias to contact with and see what works best, or rely on someone who have direct relations with the group you mean to interact with, acting as a bridge. Lowering barriers by consenting to get closer in co-conscious might do the trick too. Long term solution would be building ties to strengthen communication. (can also work with layers, better if you can 'travel' there to get direct interactions)

The problem with front and innerworld disconnection

It is normal to be out of contact from the inside when you're fronting, since this would mean you put down the cup to focus doing task or role job. To remedy this, try finding a moment to sit down or close your eyes, and feel yourself going back to your mind, since in order to contact those inside, you must lightly disconnect from the real world to focus better inwards.

The problem with having aphantasia

As if you heard the noise from the cup, but you're not sure where that sound is coming from nor aware of your surroundings as this condition blinds you visually (can vary from mild to severe, blurry/vague mental images to blank respectively).

Your innerworld is still there, using visualization is one way to immerse in, start relying on your tactile awareness, or your 'radar' that is, since it is possible to detect parts in your proximity. Rely on tangible medias such as texting or notes to keep track of things.

The problem with external noise

Having a comorbid of something, such as ADHD, autism, or OCD can create a mental chatter that exists in the background constantly.. if not most of the time, imagine that the location of the telephone is somewhere bustling, now it is harder to tell which one is intrusive, random chatters, or an alter's voice.

There is not a lot to say except learning how to separate those noises from your people, it is done best by slowing down and voice your messages wide and clear to create a distinction from such background chatter, making it easier to differentiate.

Other conditions like depression and anxiety can also affect the clarity and ease of communicating.

The problem with distinguishing others

For those with comorbids and aphantasia, this can make it much harder, though still possible! One last problem with communication is sometimes not knowing who is who, which creates obstacles in different ways. Imagine that there are multiple cups lined up to you as the receiver, this creates difficulty on pinpointing whose speaking. Thus, having problems on replying back or made sure if the first sentence relate to the second one, or it belonged to someone else.

The only solution there is, has to be a long term one. As you're suggested to slowly collect and recognize different speech pattern, assigned vibes of other parts, when they usually reply or what topics/mentions brings them up, and different accents or tone if any.

It is not required to 'know' physical attributes or what they look like, but this one will help a ton and usually the easiest way in distinguishing who is who. The solution is to go through a trial and error (arrange all the attributes you like/feel connected to, and see what sticks) and document all the findings somewhere, incase you're forgetful/difficulty memorizing.

Special mentions

It is worth knowing that communication is greatly affected by your state of mind + physical health, the conditions you have, the maturity of the alter in communicating skills, and the style you or the collective dominantly have.

That being said, having the same role, or source, or how old or new an alter is doesn't generally affect the ease of exchanging messages.

Lastly, inner communication also obeys similar rules to how conversation works in real life, this can be taken from examples:

The proximity of the talker you're with affects how much you can understand what is being said. It makes sense that you need to focus harder to hear what the mumbles meant when they're further away from you.

Being with people you can vibe along always results in a better and more effective exchange, as you don't have to explain twice for them to get the message. (mutual understanding)

How loud the environment is also affects how focused/undisturbed you are within a conversation, and it takes effort to separate the background noise to catch what they're saying.

People also have their own ways of expressing their message, some are more dominant in body language or etc. This is why it is important to recognize and understand what it means. You will always have your own dominant way of socializing, but this doesn't mean you can't learn other ways, partially.

Now comprehending the concept of system communication does become easier, right? This should serve as a good framework to start building and understanding connections.

One last phone call

I hope everything i have said here has been loud and clear, if there is a problem that has not been mentioned that needs fixing, give this string telephone a tug and i'd answer your call alright?

May this post address all the things you need more than a hotline help centre and leave with full satisfaction.

If you please, i will now indulge in the whole history of telephone strings, join me if you wish! Did you know it's originally made of tin can instead of a plastic cup?

-- The next post that will be out: all about introjection. Stay tuned!

- j

[genderfluid-insomniac]

hi! can i ask modern au(i'm not sure if thats what its called but yk where we live without the superpowers) hcs with shenhe and kafka x reader? the reader could be fem but if you dont write that gn is okay too. just hcs about how it would be like to date them and what kind of stuff they'd to etc. hope you have a nice day!!!

hi! of course! I'm soooo sorry it took this long!!

Modern Au!Kafka and Shenhe with dating headcanons (fem!s/o)

Shenhe

As in the game, this tall intimidating woman is a bit hesitant as she’s still learning more social cues and being able to smoothly get into a conversation. You love her dearly but sometimes she scares others by casually suggesting violent solutions to certain problems like it’s completely normal. As much as you joke about giving her classes on social cues and how to not seem like a robot she asks you to actually do that.

She’s hella protective. She has you carry one of those multi purpose keychains with a window break (which could be used as a shank as she’s suggested), pepper spray, a small knife, etc and tells you to look out for signs of any danger. You’re both trained in self defense and know additional safety combat techniques. Shenhe just really doesn’t want anything to happen to you since you’re one of the best things to happen to her.

Please help her cook because Shenhe badly wants to cook you a meal and not set off the fire alarm or somehow make an abomination of sometype. It can also be a fun date where you both bake a cake or a favorite if yours. She’ll get confused if you put frosting on her nose jokingly but very flustered when you lick it off or kiss it off.

You adore her cuddles and how she is the perfect size for being a little spoon, not to mention those soft plush breasts she has that make perfect pillows. Your girlfriend adores cuddles more than anything since you’re so adorable already and hers.

This is a strange one but please take her to the zoo she’s absolutely enamored with all of the animals and it doesn’t matter if she’s already seen them Shenhe will watch them all day and read the facts on the stand in front of the habitat. Despite the fact that you can see it too she’ll tell all of her favorite things about said animal. She is fascinated by giraffes and flamingos because giraffes according to her are “stretched horses” where as flamingos remind her of a bright pink version of a crane that used to frequent a lake next to her house.

Kafka

Let get one thing straight gay your girlfriend is a tease and loves to play harmless mind games with you from anything to receiving affection to coaxing you into making a decision. She’s not going to manipulate you ever it’s just she likes to keep you on your toes and loves the reactions you give.

Her love language is more physical touch and words of affirmation than anything else. There are countless times that you’ll be in her arms and cuddle into her as she praises you for being so good to her and for her. How you’re the best person she’s ever met and brings out the best in her. You’d get cavities from how sweet she is to you.

Kafka is someone who others can’t figure out and tries to solve her like an old riddle fabled to hold untold riches but only you hold the answer. She’s purposely tries to be standoffish to make sure others don’t harass you or think they can hurt you in any way. Especially since she has some enemies that would love to have you in their arms in order to get one over Kafka but she’ll ensure you that you’re forever safe with her. If something does happen she’s rushing you to the hospital first off to make sure you’re okay or any injuries you sustained will be taken care of and then calling up her friends and associates to take care of whoever decided to hurt her girlfriend.

You’re being taken on meaningful and charming dates that have clearly been thought through and they sometimes are as simple as a picnic or a movie night at home to having dinner at a high-class restaurant or taking you out on a night in the city and spoiling with gifts that you’ve been eyeing.

[deepdreamnights]

Tribute AMV for Dr. Underfang and Mrs. Natalie Nice/Nautilus.

From TyrannoMax and the Warriors of the Core, everyone's favorite Buzby-Spurlock animated series.

After all, who doesn't love a good bad guy, especially when they come in pairs?

Process/Tutorial Under the Fold.

This is, of course, a part of my TyrannoMax unreality project, with most of these video clips coming from vidu, taking advantage of their multi-entity consistency feature (more on that later). This is going to be part of a larger villain showcase video, but this section is going to be its own youtube short, so its an video on its own.

The animation here is intentionally less smooth than the original, as I'm going for a 1980s animated series look, and even in the well-animated episodes you were typically getting 12 FPS (animating 'on twos'), with 8 (on threes) being way more common. As I get access to better animation software to rework these (currently just fuddling along with PS) I'm going to start using this to my advantage by selectively dropping blurry intermediate frames.

I went with 12 since most of these clips are, in the meta-lore, from the opening couple of episodes and the opening credits, where most of the money for a series went back in the day.

Underfang's transformation sequence was my testing for several of my techniques for making larger TyrannoMax videos. Among those was selectively dropping some of the warped frames as I mentioned above, though for a few shots I had to wind up re-painting sections.

Multi-entity consistency can keep difficult dinosaur characters stable on their own, but it wasn't up to the task of keeping the time-temple accurate enough for my use, as you can see here with the all-t-rex- and-some-moving-statues, verses the multi-species effort I had planned:

The answer was simple, chroma-key.

Most of the Underfang transformation shots were done this way. The foot-stomp was too good to leave just because he sprouted some extra toes, so that was worth repainting a few frames of in post.

Vidu kind of over-did the texturing on a few shots (and magenta was a poor choice of key-color) so I had to go in and manually purple-ize the background frame by frame for the spin-shot.

This is on top of the normal cropping, scaling, color-correcting, etc that goes into any editing job of this type.

It's like I say: nearly all AI you see is edited, most of it curated, even the stuff that's awful and obvious (never forget: enragement is engagement)

Multi-Entity Consistency:

Vidu's big advantage is reference-to-video. For those who have been following the blog for awhile, R2V is sort of like Midjourney's --cref character reference feature. A lot of video AIs have start-end frame functionality, but being able to give the robot a model sheet and effectively have it run with it is a darn nice feature for narrative.

Unlike the current version of Midjourney's --cref feature, however, you can reference multiple concepts with multiple images.

It is super-helpful when you need to get multiple characters to interact, because without it, they tend to blend into each other conceptually.

I also use it to add locations, mainly to keep them looking appropriately background-painting rather than a 3d background or something that looks like a modded photo like a lot of modern animation does.

The potential here for using this tech as a force multiplier for small animation projects really shines through, and I really hope I'm just one of several attempting to use it for that purpose.

Music:

The song is "The Boys Have a Second Lead Pipe", one of my Suno creations. I was thinking of using Dinowave (Let's Dance To) but I'm saving that for a music video of live-action dinosovians.

Prompting:

You can tell by the screenshot above that my prompts have gotten... robust. Vidu's prompting system seems to understand things better when given tighter reigns (some AIs have the opposite effect), and takes information with time-codes semi-regularly, so my prompts are now more like:

low-angle shot, closeup, of a green tyrannosaurus-mad-scientist wearing a blue shirt and purple tie with white lab coat and a lavender octopus-woman with tentacles growing from her head, wearing a teal blouse, purple skirt, purple-gray pantyhose. they stand close to each other, arms crossed, laughing evilly. POV shot of them looming over the viewer menacingly. The background is a city, in the style of animation background images. 1986 vintage cel-shaded cartoon clip, a dinosaur-anthro wearing a lab coat, shirt and tie reaches into his coat with his right hand and pulls out a laser gun, he takes aim, points the laser gun at the camera and fires. The laser effect is short streaks of white energy with a purple glow. The whole clip has the look and feel of vintage 1986 action adventure cel-animated cartoons. The animation quality is high, with flawless motion and anatomy. animated by Tokyo Movie Shinsha, studio Ghibli, don bluth. BluRay remaster.

While others approach the scripted with time-code callouts for individual actions.

[code-tryperse]

Sky using all your CPU? It's more likely than you think.

I wrote this in a comment on a Reddit post of someone complaining that Sky isn't using their GPU properly and that it's stuttering for them. However, it's detailed enough that I feel like it deserves its own post in this blog. As always, this is a very technical post. But if you like seeing how games work behind the scenes, then this might be for you.

There are many reasons why Sky doesn't use your GPU as much compared to other games. It's actually a common issue in many games, and while the general reasoning is the same, the details of it can vary. The short version is that it uses the CPU a whole lot more than your GPU. Hence, it's not using a lot of power because increasing it won't have much of an effect. The bottleneck isn't on GPU speed, and that's what higher power draw tries to address. It also does most of its work on one thread, which means that it won't display a high CPU usage, as that counts work done on all logical processors. The long version is a technical explanation of how Sky was designed and the resulting implementation decisions that were done because of it.

Disclaimer: I cannot confirm these because I do not have access to Sky's source code. All of these are hypotheses based on the game's visible behavior and general development decision making.

Long version below the cut. (This isn't in the actual comment, but this is a blog post. Come on now.)

A lot of things that Sky does is CPU-bound. As an example, unless it's been updated along with the AURORA concert which used GPU-bound procedural animations, the animations of the butterflies are done on the CPU. They created the butterfly animation system long before the AURORA concert, and with only around 80 butterflies at any given time instead of 100 thousand, it doesn't make sense to go through the trouble of making their animations run on the GPU. Stuff that requires network requests to do (e.g.: forging candles, buying spirit items, etc.) are also done on the CPU because there's no way for it to be done on the GPU. This means that unless you have a weak GPU, your CPU usually dictates the frame rate of Sky.

As an additional point, Sky does not have a lot of advanced rendering features which will use the GPU more. Remember that Sky was first designed for iOS as a casual, social game. While the option for adding advanced rendering techniques like raytracing and HDR rendering are available, doing so used more power, which isn't good for a mobile game that you play with friends. Sure, you can play it with the phone plugged and have no issues with it running out of power, but that's not as fun as playing it with your friends around you. As such, there's not a lot of tasks for the GPU to run, reducing its power usage.

Sky also does not run some things asynchronously, even if it could. What this means is that, instead of performing some tasks in a separate thread, it does them in a single thread. This means that what really matters most for Sky is single-core performance rather than multi-core performance. It's not completely single-threaded; you can see that it uses more than one logical processor when you open Task Manager. However, it's not using multithreading to its maximum capability. In particular, it does not load resources asynchronously.

Asynchronous resource loading just means that resources (e.g.: models, terrain data, textures, etc.) are loaded in a background thread, allowing the main thread to continue updating the game and continuing rendering. You can tell this behavior is happening because, when you switch areas, the game becomes unresponsive for a moment while it's loading the next area. The main thread is occupied with loading the resources, which means that it's not responding to window events and it's not rendering anything. This could actually be the reason for some stuttering that happens. When the game tries to load something, it will freeze because the game stops doing any updates and renders. I don't think this happens a lot — Sky seems to always load all resources it will need for an area when you enter it — but it's a possibility.

Because the GPU isn't being used as much, it's also not drawing as much power as other games. Doing so would just be wasteful since it'll still do just as much work for higher power usage, lowering its utilization. Better to have lower power draw but higher utilization since that gives you more power efficiency, which is beneficial for a laptop.

There's not much you can do to improve Sky's performance in this case. A lot of the bottlenecks here are on Sky's implementation rather than its settings. Most you can do is lower the game's target frame rate down to 30 FPS, but that's not going to help much. Frame rate limiting is generally done to reduce GPU load, not CPU. Plus, gaming in 30 FPS nowadays generally isn't desirable. It's still in the realm of "playable", but I wouldn't recommend playing in 30 FPS unless there's a specific reason to.

[wroughtwheat]

Personal review of

The Day the Earth Blew Up

A Looney Tunes movie

Overall: An absolute gem

It’s Looney Tunes - the story is nothing revolutionary (except it’s the first ever original plot for a fully animated Looney Tunes film), but oh golly the animation! Fluid, vibrant, and unique 1940’s animation supported by early 2000’s techniques.

Top highlights:

Animation

Comedy

Homage/ References

What doesn’t happen

Animation

Everything you heard about the animation is true. Fantastic and lively hand drawn animation pays respect to 1940’s reign of cartoons. Particularly focused on the Looney Tunes era of Phil Monroe and Bob Clampett.

It’s crazy to think, until now, the generations after Millennials can experience a film like THIS in theaters. No over-sanitization of Disney, and realism not being the focus.

It’s honest 2D animation flexing how boundless the medium can go off - and you can tell when the animators were given full control.

However, do keep in mind technology has advanced since WWII. Do not go into this movie expecting a “raw and pure-bred” relapse of animation, and then be disappointed when “newer” techniques taint the nostalgic image. These are far from dominating the art direction, but are noticeable to a time-traveller.

I do mean “newer” as these techniques are still dated. The highlight being facial expressions taken from Chuck Jones’ era, which I enjoyed greatly.

Another “newer” method was using 3D models for complex moving objects (eg. an entire rotating spaceship). Although, I feel this was a callback to the tv show “Duck Dodgers” (2003) which used the same technique for the exact same purpose. Also to boot, a handful of “panic/pain” expressions were taken from this show as well.

Comedy

The humor used is a salad bowl of multi-generational jokes, with the cornerstones being visual gags expected in the cartoon media. These are used sparingly and don’t overextend into “Ren & Stimpy” level absurdity.

There’s also good satire on evolving society and minimum wage job experience. There’s another setup where the audience knows the truth and played for the suffering of a character. Another fine note was the jokes hitting without need of racism, minority targeting, or generational discourse.

Actually, the funniest hit for me was an animator joke that happens in the first few scenes (if you saw the movie, you know EXACTLY the scene I am referring).

References

This film is filled with references, but many will go right over your head for how well they fuse to the story. And that is good!

For once a film pays nods to its forefathers without making it terribly obvious. I’ve seen this movie twice with two different groups: my friend group and my grandma. We all caught different homages paying respect to the alien invasion/ B-rate movies, pop culture, and older Looney Tune shorts.

I will only list the non-Looney Tunes references.

Ones that I caught: “The Day the Earth Stood Still”(1951), “Invasion of the Body Snatchers”(1978), The Simpson: Season 5(1993)

What others caught: “Jurassic Park”(1993), “The Thing”(1982), Scooby Doo (we think)

Other references I heard are incorporated but I didn’t notice or know them: “The Blob”(1958), “Night of the Creeps”(1986), “Armageddon”(1998).

It would not surprise me if there was a “Shaun of the Dead” or “Twilight Zone” nod somewhere too.

What Does Not Happen

And What Does Happen

Spoiler-free Q&A notes

Do other Looney Tunes characters make an appearance?

No. The film only has Daffy, Porky, and Petunia.

Flashing or strobing lights?

2 scenes with flickering lights that lasts for about a second. These scenes are preceded by slower flickering for a warning.

1 scene for an explosion that concludes the scene above. Its lasts less than a second

1 scene of red and yellow filling the screen for 4 seconds. Its slow and the contrast is not very harsh

Is the film purely comedy/ family-friendly?

Majority of it is comedy. There are horror elements but no gore.

Any memes /cash grab maneuvers?

I heard one scene broke the immersion for some people. It involves a smartphone. The film takes place in modern-day and this is blatant. But Daffy and Porky never update the house, so many assumed it was the 1950s.

There also a car door visual gag that might be referencing the meme

Any gross humor / fart jokes?

Maybe two? No farts happen, but the sound effects tend to sound like it (eg. A balloon losing air). There’s also an egging scene and then thats it

That concludes the review. Please see this movie for the animation and

because the Warner Bros. Company gets absolutely nothing from these ticket sales.

[girls--complex]

Do you have any advice on how someone should pray, individually or otherwise? I’ve been to Quaker meetings in the past but they make me so anxious for one reason or another. Should I just suck it up and keep trying?

Hai Anon, held U in the light today

Recurring anxiety during Contemplation is a pretty common experience furst of all, so ur not alone...

I would encourage you to find some spiritual guidance IRL. Either an actual meditation teacher or clergy or something or just a kindly elder to confide in. It's good to have a longitudinal conversation about this because different things will likely come up and different pointsin the journey. If you are very inhibited your nervous system needs social permission to access new consciousness. It's also good if they can get a multi sensory read on you. It's even better if they can consciously respond to your embodiment because fear lives in the body. Actually Buddhists tend to be really good at that if you're comfortable going there.

Compassionate and accessible resources can be found via the Center for Action and Contemplation (ecumenical, Franciscan theology) as well as Buddhist meditation teacher Pema Chodron ("getting unstuck")

My prayer life = clinging to remote fellowship with God constantly against being dragged into lifeless caenality. Remembrance of God's bottomless delight in creation. Openness 2 the channel... openness 2 myself in the world.. the defenseleness of incarnation. Youre always permeated or penetrated or saturated in this way. Discomfort doesn't always mean something is wrong. It *can* mean that something is wrong or it can mean that something is very right.

"Sucking it up," because there is a grit to holding, for instance and especially fear and not engaging in the usual shutdown or mythologies (fear is also very strongly impressed in my body), but more actually yielding, bending in the wind, untangling knots of resistance (impiety), letting the energy move thru U and pass. It is like passing a bladder stone or something. Actually it's crucifixion lol... c v c x v .... receptive and yielding grit, the toughness, actually the almightiness of divine Vulnerability

We have an animal instinct for how to allow physical pain through the body, by pacing, breath, shaking off, whatever, emotional pain functions similarly (arguably a class of physical pain). You may need help with this embodiment in some way? Even though a contemplative may sit still there is usually an intentional and structured embodied technique... as in zazen, they breathe and sit with intention at every step. But there is also pacing, dancing,intoning, quaking 🫨 tantra... and you can find a teacher in these things or discover them yourself. There's advantages and disadvantages to self direction.

Guidance to what to look for maybe or maybe not because I have so little information from you and so little of my own experience..........

best of luck friend